Column: District House is dead: Who killed it?
In the past year or so, the basement of District House has felt more like Gelman Library than its once vibrant former self.
Julia Koscelnik
Essay: "The Price of Glee" exploits deceased "Glee" cast members
Fans of “Glee” should continue to enjoy everything the show was, but let Monteith and Rivera rest without theorizing about their deaths.
Column: Our cultural obsession with true crime has gone too far
There is no ethical way to create social media content theorizing and sleuthing this early into a developing case, especially one concerning homicide.
The Hatchet's top 22 songs of 2022
This year, these 22 songs and artists made an impact on us as the soundtrack to our best and worst times.
The District's most festive holiday cocktail offerings this season
Take a break from finals to mix and a-mingle at nearby bars, restaurants and pop-ups with a festive drink in hand.
Essay: Ticketmaster's unchecked power has gone too far
Ticketmaster’s unchecked power has slowly but surely dismantled and corrupted the live music industry as we know it.
Review: 'Dead to Me' storyline comes full-circle in final installment
The series serves as an extended metaphor for grief and loss, made even more devastating by the ending of Season 3.
Review: Season 2 of “The Sex Lives of College Girls”
The series feels most authentic when each girl lets down her guard with one another, aided by the on-screen chemistry among Chalamet, Rapp, Kaur and Scott.
Review: Taylor Swift's 'Midnights' is her most personal work yet
On “Midnights,” Taylor Swift details 20 sleepless nights on 13 tracks and seven bonus tracks on a “3am Edition” that dropped hours later.
Review: Demi Lovato brings her final tour to The Anthem
Lovato never fails to dazzle with their live vocals, but it was evident at Monday’s show that a period away from the limelight could benefit the artist.