Stories from the October 18, 2001, Print Edition
The Last Castle (Dreamworks) is not your typical war flick. In a genre largely pervaded by formulaic plots, the film presents an interesting twist. Both sides are fighting for the red, white and blue, or so they would have you believe.
A retrospective exhibit is like a conversation with the life of an artist.Walking through the galleries of the museum, you are able to see where they came from stylistically and how they develop and mature. This is the sensation one gets walking through the National Gallery of Art's new sculpture exhibit by Henry Moore.
"Glengarry Glen Ross" hits the ground running. Beginning mid-sentence, mid-argument, the tension that is evident when the lights first come up helps make this a darkly funny play to the very end.
Homosexuality and molestation are about as serious of topics as you can get, leaving one to ask how it is possible to discuss such issues in a even-handed and comfortable way? Director Michael Cuesta finds a way in his new film L.I.E.
Vol. 108
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